BOOKS
× An Anatomy of Influence (London: AA Publications, 2018
× Houses and Gardens of Kyoto, second revised edition (Tokyo: Tuttle, 2017).
× Kansai 6 (Seoul: Equal Books, 2011).
× Kiyoshi Sey Takeyama + Amorphe (Seoul: Equal Books, 2011).
× Houses and Gardens of Kyoto (Tokyo: Tuttle, 2010).
× After the Crash: Architecture in Post-Bubble Japan (New York, NY: Princeton Architectural Press, 2008).
× FOBA: Buildings (New York, NY: Princeton Architectural Press, 2005).
CHAPTERS IN BOOKS
× “Ground Zero,” in The Zero Degree of Architectural Writing, eds. Wouter Van Acker and Lyna Bourouiba (Leipzig: Spector Books, forthcoming).
× “Japanese Dragon (Ryū),” in The Architect and the Animal, ed. Kostas Tsiambaos (Boston, MA: The MIT Press, forthcoming).
× “On the Genealogy of Morals,” in Communal Ecologies: Conversations with Young Japanese Architects, ed. Samuel Michaëlsson and Marc Goodwin (Stockholm: Arvinius + Orfeus Publishing, forthcoming).
× “WoDeCo” and “Paper Log Houses,” in Flashpoints, ed. Robin Middleton (London: Thames and Hudson, forthcoming).
× “Found Objects,” in MBL Architects (Brussels: Accattone, 2025), 123–138.
× “Foreword,” in Géraldine Borio, Looking for the Voids: Learning from Asia’s Liminal Urban Spaces as a Foundation to Expand an Architectural Practice (Zurich: Park Books, 2023), 4–5.
× “水面下に沈められた意図,” in Takashi Yamaguchi, Canon Quantumetric (Tokyo: Shogokaku Publishing, 2023), 6–7.
× “Tropisms,” in Kiyoshi Sey Takeyama, Niwa: Nobiyaka na Kenchiku no Shikō [Garden: Thoughts on Lively Architecture] (Tokyo: A&F Press, 2020), 42–45.
× “Expo ’70,” in Eeva-Liisa Pelkonen, Exhibit A: Exhibitions That Transformed Architecture 1948–2000 (London: Phaidon, 2018), 128–137.
× “Uncommon Ground,” in Macau and the Casino Complex, ed. Stefan Al (Las Vegas, NV: University of Nevada Press, 2018), 25–46.
× “Urban Chimera,” in AAVS Shanghai Folio, ed. Tom Verebes (New York, NY: ORO Press, 2017), 27–29.
× “CO2Works,” in This Is Not a House, ed. Dan Rubenstein (New York, NY: Rizzoli, 2015), 174–183.
× “Acting Natural,” in Kengo Kuma, Small Architecture / Natural Architecture (London: AA Publications, 2015), 3–20.
× “Artifice and Authenticity: Post-Colonial Urbanism in Macau,” in Asian Cities: Colonial to Global, ed. Gregory Bracken (Amsterdam: Amsterdam University Press, 2015), 69–94.
× “Lost in Translation,” in Tokyo from Vancouver 3 (Vancouver: University of British Columbia School of Architecture, 2014), 156–163.
× “Just Looking: The Origins of the Street Observation Society,” in Terunobu Fujimori Architect (Ostfildern: Hatje Cantz, 2012), 210–221.
× “The Fugitive,” in Toyo Ito, Tarzans in the Media Forest (London: AA Publications, 2011), 3–18.
× “Articles of Faith,” in Sanford Kwinter, Requiem for the City at the End of the Millennium (Barcelona: Actar, 2010), 11–14.
× “Reflecting Modern Life,” in Housing is Back, eds. Peter Ebner et al. (Vienna: Springer Verlag, 2006), 150–153.
× “Keeping the Faith,” in Kazunari Sakamoto: Houses, eds. Hannes Rössler et al (Munich: Detail / Birkhäuser, 2004), 56–59.
PERIODICALS
× “Fantastic Voyage,” Log: Observations on Architecture and the Contemporary City, no. 61 (Summer 2024): 37–45.
× “Ulterior Motives,” AA Files (June 2024): 60–64.
× “The Positive Power of Architecture,” Log: Observations on Architecture and the Contemporary City, no. 59 (Fall 2023): 33–40, 130–31.
× “The Nature of the Offence,” Log: Observations on Architecture and the Contemporary City, no. 58 (Summer 2023): 79–84.
× “Containing Multitudes,” Log: Observations on Architecture and the Contemporary City, no. 58 (Summer 2023): 13–16.
× “Tracked Changes: Beyond the Virtual Body + Afterword,” Volume, no. 62 (May 2023): 48–53.
× “Half-Life,” Log: Observations on Architecture and the Contemporary City, no. 51 (Winter/Spring 2021): 28–36.
× “Diferencia y repetición / Difference and Repetition,” AV Monografías 226: Sou Fujimoto 2000–2020 (August 2020): 4–11.
× “Aman Kyoto,” Artichoke, no. 72 (August 2020): 102–113.
× “Firminy Church,” Kenchiku Sekkei, vol. 8 (Spring 2020): 39–41.
× “Resisting Arrest: The Evolution of UNStudio,” Architectural Design: Urban Futures, vol. 90, no. 3 (March 2020): 20–25.
× “Finding a Voice,” Log: Observations on Architecture and the Contemporary City, no. 46 (August 2019): 51–59.
× “Off Grid: A Conversation with Hiromi Fujii,” Log: Observations on Architecture and the Contemporary City, no. 43 (July 2018): 16–33.
× “The Fugitive,” AA Files, no. X (June 2018), 78–81.
× “Endless Flows,” Kyoto Journal, no. 90 (May 2018): 104–111.
× “Shin Takamatsu in Conversation with Thomas Daniell,” AA Files, no. 75 (November 2017): 98–118.
× “L’architecture au Japon après le krach de 1989,” Tracés, no. 12 (30 June 2017): 10–14.
× “Itsuko Hasegawa in Conversation with Thomas Daniell,” AA Files, no. 72 (June 2016): 20–39.
× “Bug Eyes and Blockhead,” Log: Observations on Architecture and the Contemporary City, no. 36 (March 2016): 34–47.
× “Hiroshi Hara in Conversation with Thomas Daniell,” AA Files, no. 71 (December 2015): 135–152.
× “Difference and Repetition,” Log: Observations on Architecture and the Contemporary City, no. 35 (October 2015): 52–59.
× “Containment,” Log: Observations on Architecture and the Contemporary City, no. 33 (Winter 2015): 11–16.
× “Acting Natural,” AA Files, no. 69 (December 2014), 100–106.
× “White Lotus Temple,” Mark: Another Architecture, no. 53 (October–November 2014): 24–25.
× “SAR / SEZ / PRD / PRC: Positioning Hong Kong and Macau,” Volume, no. 41 (October 2014): 130–133.
× “Modernization and Its Discontents,” Volume, no. 41 (October 2014): 68–72.
× “Chinese Whispers,” Log: Observations on Architecture and the Contemporary City, no. 32 (Fall 2014): 31–32.
× “Glaciers, Sand Dunes and River Deltas,” Mark: Another Architecture, no. 51 (August 2014): 127–139.
× “Arata Isozaki in Conversation with Thomas Daniell,” AA Files, no. 68 (July 2014):22–42.
× “Born Under Solaris,” ICC Tokyo: Weekly Solaris (15 February, 2014): 2.
× “The Limits of Materiality: On Junya Ishigami and Philippe Rahm,” Interstices: A Journal of Architecture and Related Arts, no. 14 (November 2013): 106–109.
× “Shenzhen Stock Exchange: Thinking Inside the Box,” Mark: Another Architecture, no. 44 (June–July 2013): 93–101.
× “Resisting Arrest,” Archicreations: UNStudio 2006–2013, no 168–169 (May–June 2013): 29–31.
× “‘Nothing Serious’,” Log: Observations on Architecture and the Contemporary City, no. 27 (Spring 2013): 21–30.
× “Natural Comfort,” Mark: Another Architecture, no. 42 (February–March 2013): 162–169.
× “The Mothers of Invention,” Architectural Design: The Innovation Imperative (January 2013), 114–123.
× “Familial Clouds,” Interstices: A Journal of Architecture and Related Arts, no. 13 (November 2012): 122–125.
× “After the Aftershocks,” Interstices: A Journal of Architecture and Related Arts, no. 13 (November 2012): 100–102.
× “Just Looking: The Origins of the Street Observation Society,” AA Files, no. 64 (June 2012): 41–50.
× “Laboratorios habitados: La nueva arquitectura doméstica en Japón,” Architectura Viva, no. 142 (May 2012): 22–25.
× “The Return of the Repressed,” Log: Observations on Architecture and the Contemporary City, no. 24 (Winter–Spring 2012): 23–27.
× “The Fugitive,” AA Files, no. 62 (May 2011): 78–81.
× “Kiyoshi Sey Takeyama: What’s in a Name? (A True Story)” Log: Observations on Architecture and the Contemporary City, no. 21 (Winter 2011): 9–22.
× “But the Flesh is Weak,” Volume, no. 25 (October 2010): 151–155.
× “Détournement: Atelier Bow-Wow’s Guide to the 13th Arrondissement of Paris,” Volume, (December 2009): 38–46.
× “Garden House,” Mark: Another Architecture, no. 22 (October–November 2009): 162–171.
× “Back to the Future: The Edo Biosphere,” Volume, no. 18 (December 2008): 76–79.
× “Beyond the Virtual Body,” Volume, no. 15 (June 2008): 60–64.
× “Escaping the Clutches of Concrete,” Mark: Another Architecture, no. 12 (February/March 2008): 176–183.
× “The Letter of the Law,” Interstices: A Journal of Architecture and Related Arts, no. 8 (2007): 85–90.
× “Legal Constraints on Architectural Form in Japan,” Memary Architecture & Construction Quarterly (Summer 2007): 20–22 (English), 118–21 (Farsi).
× “Cycle of Dwelling,” Japan Architect, no. 65 (Spring 2007): 112–113.
× “Rusting Fortress.” Oris IX, no. 47 (2007): 74–83.
× “Pushing the Envelope,” Mark: Another Architecture, no. 7 (April 2007): 166–173.
× “What Steel Wants,” Mark: Another Architecture, no. 6 (February 2007): 35.
× “Living on the Edge,” Mark: Another Architecture, no. 6 (February 2007): 96–100.
× “Box of Tricks,” Mark: Another Architecture, no. 5 (November 2006): 174–181.
× “Rebirth of the Blob,” Mark: Another Architecture, no. 5 (November 2006): 70–77.
× “Living Dangerously,” Mark: Another Architecture, no. 4 (September 2006): 112–121.
× “Thin Skinned: Hitoshi Abe’s K-Museum,” Mark: Another Architecture, no. 3 (June 2006): 90–101.
× “Bulletproof Tradition,” Mark: Another Architecture, no. 3 (June 2006): 30–31.
× “Letter from Kyoto,” Mark: Another Architecture, no. 3 (June 2006): 198–207.
× “Less Than Zero,” ERA21 (December 2005): 43–45.
× “Immaculate Conception: The 21st Century Museum of Contemporary Art in Kanazawa,” Archis (December 2004): 92–97.
× “Functionalism and Morphogenesis,” 10+1, no. 35 (June 2004): 124–127.
× “Deconstructing the Profession,” Archis (March 2004): 74–75.
× “Exposure Time: Two Media Art Installations,” Archis (January 2004): 100–107.
× “Balancing Act: MVRDV in Japan,” Archis (November 2003): 76–89.
× “Waiting at Ground Zero,” AIJ Journal (September 2003): 30–31.
× “House of the Artist,” Domus, no. 862 (September 2003): 90–99.
× “Brand Recognition: Architects as ‘Housemakers’ in Japan,” AD: Home Front (July 2003): 82–89.
× “The Glass Library,” Domus, no. 858 (April 2003): 94–105.
× “Doors of Perception: Flow,” Archis (February 2003): 110–111.
× “Strange Attractor: Yokohama International Port Terminal,” Archis (October 2002): 105–109.
× “Building or Brand? Foreign Projects by Japanese Architects,” AIJ Journal (September 2002): 30–31.
× “Two Houses in Japan,” Domus, no. 845 (February 2002): 72–85.
× “Framing Nippon: Images of the Japanese Built Environment,” AIJ Journal (January 2002): 62–63.
× “Manufacturing a Market,” L'Architecture d'Aujourd'hui, no. 338 (January–February 2002): 102–105.
× “FOB Homes,” Arch+, no. 158 (September 2001): 100–103.
× “Back to Nature,” Archis (July 2001): 33–34.
× “Virtual Light and Heavy Metal: Building the Mediatheque,” Archis (May 2001): 117–124.
× “Icoon van een nieuwe generatie publieke architectuur,” De Architect (March 2001): 38–45.
× “The Dancing House,” Domus, no. 835 (March 2001): 136–145.
× “Hakama,” De Architect (December 2000): 30–33.
× “Eastern Aspect,” Cross Section (December 2000): 8–10.
× “Kazuhiro Ishii: Meta-architecture,” Archis (November 2000): 58–63.
× “Water Feature,” World Architecture, no. 90 (September 2000): 84–87.
× “Wide Open Spaces,” World Architecture, no. 87 (June 2000): 78–80.
× “Fitting In: Small Sites in Urban Japan,” L'Architecture d'Aujourd'hui, no. 328 (June 2000): 80–83. Republished as “FOBAと日本の都市,” 10+1, no. 22 (December 2000): 146–147.
× “Pretty Vacant: The Photographs of Takashi Homma,” Archis (May 2000): 36–41. Republished as “すっきり空っぽ：ホンマタカシの写真,” 10+1, no. 23 (March 2001): 157–9.
× “Paths of Least Resistance” (editorial), Archis (May 1999): 8.
× “The Visceral and the Ephemeral: Abstraction in Contemporary Japanese Architecture,” Archis (March 1999): 8–24.
× “Mirage City: Another Utopia,” Archis (February 1998): 55–60.
× “Kisho Kurokawa in Malaysia,” Archis (June 1997): 62–67.
× “Letter from Japan,” Archis (April 1997): 71–73.